Posted by Jackie on November 30, 2007
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Posted by Jackie on November 29, 2007

The stats: it was 4.3 metres tall, suspended from a 25m tall tower crane, with the contours of the bulb illuminated by hundreds of tiny lights.
Actually one of the most striking things about it was as we approached, you could see the full moon underneath it lighting up some clouds which had a really ethereal effect. Unfortunately my photos of that didn’t come out very well, but this one isn’t bad - and I think it gives an idea of some of the more surreal aspects of the festival.
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Posted by Jackie on November 28, 2007

The Sharmanka Travelling Circus was created in 1988 by the Russian Eduard Bersudsky and has been based in Glasgow since 1995. It’s a theatre of “kinetic sculpture”, where hundreds of figures made out of scrap perform a choreography to music and light. This window display was advertising the circus, which is actually based in a different building. Sharmanka is apparently the Russian word for barrel-organ or hurdy-gurdy. I just thought the figures were interesting - full of personality, and slightly creepy with it. I had no idea it existed till I walked past this window on Sunday night - I must check out the actual Circus itself some day.
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Posted by Jackie on November 27, 2007

This first one is of what I thought was a church (presumably it used to be a church) but is now the Ramshorn Theatre. The colours both of the light washing the exterior of the building and of the upper window both regularly changed - in the few minutes I was there I saw reds, blues and greens amongst others.
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Posted by Jackie on November 26, 2007

The neoclassical building was built in 1778 as a townhouse for a wealthy tobacco lord, and has had a number of different uses subsequently - for a while it housed the Royal Bank of Scotland, then became the Royal Exchange (the square where the museum is is still known as Royal Exchange Square) which is when it got the cupola and the Corinthian pillars. In the 1950s it housed a library for a while, and it has been the modern art gallery since 1996.
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Posted by Jackie on November 25, 2007

As I understand it, for years the council would have their workers remove the cone, but have now more or less given up, as it is such a Glasgow landmark now and symbol of the Glasgow spirit. There’s even a flickr group dedicated to it!
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Posted by Jackie on November 24, 2007
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Posted by Jackie on November 23, 2007

I’d taken a fair few pictures, and had put my camera away, but as I walked away I happened to look up and saw the moon through the lights. It’s not the sharpest photo (in my defence, it was freezing and I suspect my hands were shaking with the shivering!) but it does give you a taste of the effect of the lights.
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Posted by Jackie on November 22, 2007

This picture was taken in autumn of last year. Earlier this year when I took my stuff to the compost bin, I saw that all of the flower beds had disappeared and there were tyre tracks in the ground. Chatting with one of the guys who works for GREAT, it transpired that the land was being targeted for housing redevelopment. I was really upset, and wrote to councillors and both UK and Scottish Parliament members (as did a number of other people who appreciate the garden). From the various replies I got, it seems that the land was always meant to be a temporary garden and that the redevelopment would be aimed at social housing, which I suppose is better than yet more posh unaffordable flats, but I do think it’s so sad that the garden, which is such a lovely community resource (they also provide training and work experience for unemployed youngsters and volunteers doing gardening, courtyard clearance etc), is earmarked for closure and to be built on. At the moment the flower beds have reappeared and the garden is still being faithfully tended - I understand that if the permission for redevelopment goes ahead it will be another year before anything happens, so supposedly there is time to identify other areas where a garden could be created.
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Posted by Jackie on November 21, 2007

Although it doesn’t look like it, it is based in a (much revamped) Victorian building, and according to Wikipedia is the only theatre in Scotland which still has the original Victorian machinery under the stage.
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